3.3.3. Resources

The mysterious room was quite large with a very ceiling. It had large rock or granite tables, with strange symbols and shapes engraved on their top surface.

What first attracted and even struck subscriber's interest an curiosity was huge and seemingly complex diagram covering the largest wall in the room, from side to side and floor to ceiling, almost.

When they had experimented rhythm, they had also been faced with impressive and complex diagrams, but one could almost feel what those diagrams expressed, and they readily seemed to have inherent structure.

This one was very different, somewhat like a complex mosaic of repeating patterns, with letters, numbers, lines, vertical, diagonals, and horizontals.

The symbols on the tables that were laid out along the other walls of the room, were quite different and did not seem related to the diagram.

The large empty space in the middle of the room only seemed like ... empty or wasted space.

The subscribers were perplexed, pondering, and evaluating many hypothesis ...

They walked back out to the Square hoping that maybe, like they had seen before, they could get help, maybe from one of the statues that had done so much to help them before.

There were four Statues, standing around the Fountain in the middle of the Square:

• REGULARITY, a young female, possibly aged around 20
• SIMPLICITY, a mature female, possibly aged around 40
• SYMMETRY, a young male, possibly aged around 30
• HIERARCHY, a mature male, possibly aged around 50

It was commonly understood that their gender and age classification was an expression of Complementarity, a fundamental universal or cosmic principles.

Trying to keep definitions clear, it should be clear here, that, especially in the context of Cosmos Square, as the universe defines all that exists, the cosmos encompasses the universe as well, also, as all the principles that create, define, and govern it.